A basic class intended for students or professionals in
the communications, film and media business. Directors, Editors, Producers,
Composers and Sound Editors.
Emphasis is placed in obtaining communication skills with a composer for
requesting music specially developed for a project.
All the process of adding music to a project from script, composing,
recording to synchronization is described in every detail, as technically
as needed.
Diverse dramatic techniques and genres are explained end exemplified
for better understanding and appreciation of Film Music. |
| Class Resume |
División
de estudios de posgrado de la Universidad Anáhuac
del Norte (Mexico City). |
1997 |
6to
Diplomado en la industria de la música de la FAIM. |
2
3 hour classes |
Centro
de Capacitación Cinematográfica (Centro de las Artes, Mexico City) CCC |
Since 1994 |
Six
generations since 1994:
Minibrutos, Tepelmemes, Expendables, Olvidados, Gamborinos y Zootropes. |
12
to 16 2 hour classes |
Universidad
Americana de Acapulco (Acapulco Mexico, 1993). |
1993 |
Taller
de Comunicación. |
4
hour conference |
Universidad
Anáhuac
del Norte (Mexico City). |
1993 |
Producción
de Radio. |
3
hour class |
| Other
talks about film music |
| Tecnológico de Monterrey, Campus Monterrey, N.L. |
October 8th 2010 11AM |
Conferencia de Musica en el Cine. 27 Render Simposium Internacional de
Comunicación. Musicalización. |
2 hour talk |
| Expo locaciones cine y TV México. EXPOLOCCINE Y TV at
Foro 6 Estudios Churubusco |
March 5th 2010 5PM |
"Music in movies" with Lucía Álvarez,
Lino Nava, Pablo Lach and Nikolas Klau |
2 hour discussion |
Burrito Western Soundtrack
A talk in english prepared for The
35th International Film Festival Rotterdam, in the Hot Spots
Mexico City presentation, at the Off Corso Cinema, by invitation from Nuevos
Ricos.
Alejandro Giacomán born in Mexico City in 1964. He studied Electronic
Engineering and Music. He has composed the soundtracks for more than 60 films
from diverse genres. Also he has taught music on film at the Centro de Capacitación
Cinematográfica (CCC) in Mexico City. At the beginning of his career
he worked for low budget films, many of which belong to the Burrito Western,
NarcoFilms, and Sexy Comedy genres. In his talk he will discuss issues about
the history of the soundtrack in Mexico and, along with anecdotes and examples,
he will give some recommendations about how to realize a Burrito Western
film, or how to do to avoid it. |
January 31st 2006 |
 |
2 hour talk |
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